the tranquil…


Nobuhiro Nakanishi strives to expose what we constantly feel around us but are unable to see or touch.

Amori Sunrise by Nobuhiro Nakanishi.

Lesson / Koan : Calm is comfort.

The theme of Nobuhiro Nakanishi’s work is “the physical that permeates into the art piece.

Layered Drawing Sunrise by Nobuhiro Nakanishi.

BTW,

In a foggy landscape, we no longer see what we are usually able to see – the distance to the traffic light, the silhouette of the trees, the slope of the ground. Silhouettes, distance and horizontal sense all become vague. When we perceive this vagueness, the water inside the retina and skin dissolve outwardly toward the infinite space of the body surface. The landscape continues to flow, withholding us from grasping anything solid. By capturing spatial change and the infinite flow of time, I strive to produce art that creates movement between the artwork itself and the viewer’s experience of the artwork.” – Nobuhiro Nakanishi

Layered Drawing Cloud / Fog by Nobuhiro Nakanishi.

Nobuhiro Nakanishi uses a variety of materials and techniques in creating artwork, such as drawings, three- dimensional sculptures, installations, and projections. What they share is Nakanishi’s interests in gaps and empty space and the impact they have on the viewer. In Nakanishi’s Stripe Drawing, an interface is created by accumulating an infinite number of lines drawn in pencil. Stripes gather to give rise to a picture, and the creation of this picture gives rise to the appearance of empty space.

Stripe Drawing by Nobuhiro Nakanishi.

As the viewer changes focus, the picture and the empty space switch places, or as Nakanishi would explain, the viewer is able to capture the empty space within the picture. In his work, Layer Drawing #001-081, stacks of 24 slides were photographed at regular intervals of moments in time. Shapes arise from the stacking, suggesting that the boundary-free existence of time can be contained.

NOTE :

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"shinkansen series" by Tim Lisko.

Maybe…Nobuhiro Nakanishi & Tim Lisko should talk and do a project together. The reason being is that both may be looking / thinking in a similar way, but only perpendicular to each other?

The vision of both Nakanishi & Lisko is pure and hopefully, for the purposes of Utopia a place to spend time..in the tranquil.

"shinkansen series" by Tim Lisko.

The “shinkansen” photos by Tim Lisko bring to mind fields of birch trees, beaches, ocean and skylines—or they may be seen as elements of pure design, strips and strings of light and dark, of shading and repetition. The Indiana-based Lisko took these photos by leaving his shutter open while on a high-speed bullet train (aka shinkansen) from Tokyo to Osaka. High train speeds and lengthened exposures create an image so blurred as to produce strong patterns, lines, colors, depths—”something,” the photographer notes, that “turned out to be a sense of balance, of simplicity, of stillness.” A quote from poet and professor Lionel Basney speaks of the profound reengagement that photo­graphs like these hint toward: “The question is, have you met whatever you take to be nonnegotiable—and held that encounter until the other declared its name?

tranquil |ˈtra ng kwəl|adjective – free from disturbance; calm : her tranquil gaze | the sea was tranquil.

Listen, he said.
The wind came down the
mountain
and washed the full trees,

the moss dimmed and paled,
the white rocks
blazed out.

I thought, this will go on
whatever else goes on,
beyond all human stir,

and I stood to face it
as something to be answered,
and saw the morning

turn a bright spine to the sun
and run across the heights,
pine-blue, pine-piled,

and felt the rising wind
divide the forest like a sea,

and if you ask me now
what I am, I will say,

listen, I have never forgotten
that wind that never pauses, Don’t waste your time looking for affordable Levothroid deals anymore, because you’ve found it – buy your medicine for 0.47 USD now!

now as I speak to you, I know
the deep familiar unease,
that deep unease which is my rest.

Lionel Basney
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